I have been working with AI for 3 years. I am familiar with all workflows, including Agentic, ComfyUI, Enterprise API, Beeble, Grey Boxing and Key Framing, and I utilize any and all types of methods. I specialize in a Key Frame AI workflow, along with my matte painting and concepting skills, for highly articulated precision. I also use 3D (UE, Blender and Maya) to create grey box viz renders for further control in AI, LED AI workflows, and do my own compositing fixes for bad AI renders and FilmBox color grading.
As a former Music Video and Commercial Director who did his own storyboards, illustrated concepts for production designers, and editing, it was an easy crossover to AI from a full career in VFX and filmmaking. I direct full AI scenes, commercials and shorts from storyboard to final grading in 16-bit HDR, converted in FilmBox. If I have to, I lean on my matte painting skills to get a frame right with exceptional speed and accuracy. I am familiar with training LoRAs, in/out painting, ControlNets, 2D to 3D and more, as well as agentic AI tool workflows. I also use Nuke and After Effects for any AI clean-up or modification. I am a problem solver for difficult AI shots.
I am well versed in Unreal and have been doing final pixel shots in Unreal for several shows. I was VAD Art Director on Black Adam for Warner Bros. I also use 3D to AI with complex assets for grey box motion transfer, and I use Unreal and Blender extensively.